Here are the upcoming courses, please click on the learn more boxes to read the detail.
Breaking Story for Television
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Taking the form of a Masterclass, I will take you through my developmental process; garnered through 30 years experience of working with writers at the beginning, and at the apex of their professional careers.
There will be an opportunity to ask me specific questions pertaining to your particular story and I do my best to answer your most tricky issues.
Script Editing
For Television
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The 4 day course is always intensive, fun, and packed with information. It is important to me to convey how essential this job is to ensure the continued high standard of series television drama production in this country. This course has proven to be successful in bringing a fresh and consistent flow of new and burgeoning script development talent entering at ground level, direct into the Television Industry.
You can’t create experience, you must undergo it
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Yvonne has worked with the following companies and can proudly wear the ‘been there, done that’ T-shirt
“Once I had a first draft, I honestly couldn’t tell if it was any good. I hadn’t written for TV before and had no idea what the structure for an episode was…I knew I needed to get some expert eyes on it, so I went to Yvonne… She’s had 30+ years in the industry and seemed to fundamentally understand TV drama. She was the right person to help. I’d had lots of positive feedback about how strong my opening pages were. I was really, really proud of them. And one of Yvonne’s first comments was, “the opening’s got to change”…I trusted her though, and she was right…
MARTIN BELL
JEM DRYER Delegate/script editor If you ever want to see a real wizard at work, sign up for Yvonne Grace’s Script Editing for Television course right this second. The way Yvonne can take apart a script is genuinely dazzling to watch, and you can’t help but feel yourself becoming ten times the script editor you were just by watching her process. There is no explanation for being able to cover every aspect of script analysis and editing, storylining, delivering notes to writers, and understanding the script editor’s role in production in only four days other than magic.
Ready to Work With Me?
DO YOU HAVE A BIG IDEA I CAN HELP WITH?