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I’m sharing some of my top tips to becoming a better and more successful writer. Sign up to the Ten Top Tips here.
“Yvonne’s top tips are a wonderful blend of inspiration and practical advice. Doing one of Yvonne’s courses at the Script Factory helped to give me the confidence to apply to do an MA in Screenwriting at the London College of Communication, which I have just completed.
LIZ HOLLIDAY Writer
You can’t create experience, you must undergo it
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Yvonne has worked with the following companies and can proudly wear the ‘been there, done that’ T-shirt
“Yvonnes had 30+ years in the industry and seemed to fundamentally understand TV drama. She was the right person to help. I’d had lots of positive feedback about how strong my opening pages were. I was really, really proud of them. And one of Yvonne’s first comments was, “the opening’s got to change”…I trusted her though, and she was right…
MARTIN BELL
“Working with Yvonne these past three months has changed everything regarding how I feel about myself as a writer, knowing that my work can translate to a commercial, saleable entity. Yvonne is a genius in her process, allowing the artists she works with to embody their true calling, showcasing what makes them extraordinary while giving them the proper tools and feedback to generate original and credentialed material that will stand alone in this highly competitive industry. We have a lot of laughs in the works, which makes the overall relationship so enjoyable.
LAURI LEVENFIELD WRITER/DIRECTOR
“Yvonne is fabulous. I had the pleasure of one of her screenwriting intensives a few years ago and it really helped demystify structure. She’s also the real deal having worked on the biggest soaps and drams on TV.
LYNDA KENNEDY
JEM DRYER Delegate/script editor If you ever want to see a real wizard at work, sign up for Yvonne Grace’s Script Editing for Television course right this second. The way Yvonne can take apart a script is genuinely dazzling to watch, and you can’t help but feel yourself becoming ten times the script editor you were just by watching her process. There is no explanation for being able to cover every aspect of script analysis and editing, storylining, delivering notes to writers, and understanding the script editor’s role in production in only four days other than magic.
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