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I’m sharing some of my top tips to becoming a better and more successful writer. Sign up to the Ten Top Tips here.

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Yvonne’s top tips are a wonderful blend of inspiration and practical advice. Doing one of Yvonne’s courses at the Script Factory helped to give me the confidence to apply to do an MA in Screenwriting at the London College of Communication, which I have just completed.

LIZ HOLLIDAY Writer

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If you want to get an impressive insight into the industry and routes in to make your work competitive then buy this book now. Peter Devonald

TEN TOP TIPS

I’m sharing some of my top tips to becoming a better and more successful writer. Sign up to the Ten Top Tips here and I will email them to you.

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If you are interested in reading more helpful advice or joining in an online community of like-minded writers you could take a look at my Blog.

You can’t create experience, you must undergo it

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Yvonne has worked with the following companies and can proudly wear the ‘been there, done that’ T-shirt

Once I had a first draft, I honestly couldn’t tell if it was any good. I hadn’t written for TV before and had no idea what the structure for an episode was…I knew I needed to get some expert eyes on it, so I went to Yvonne… She’s had 30+ years in the industry and seemed to fundamentally understand TV drama. She was the right person to help. I’d had lots of positive feedback about how strong my opening pages were. I was really, really proud of them. And one of Yvonne’s first comments was, “the opening’s got to change”…I trusted her though, and she was right…

MARTIN BELL

JEM DRYER Delegate/script editor If you ever want to see a real wizard at work, sign up for Yvonne Grace’s Script Editing for Television course right this second. The way Yvonne can take apart a script is genuinely dazzling to watch, and you can’t help but feel yourself becoming ten times the script editor you were just by watching her process. There is no explanation for being able to cover every aspect of script analysis and editing, storylining, delivering notes to writers, and understanding the script editor’s role in production in only four days other than magic.

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